What was hugo filmed on

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Naim Atom: The hifi that will change the way you listen to music. Sign In. Play trailer Drama Family Fantasy. Director Martin Scorsese. Top credits Director Martin Scorsese. See more at IMDbPro.

Trailer Hugo: Trailer 1. Clip Best Picture. Adapted Screenplay. Costume Design. Original Score. Visual Effects. Sound Editing. Sound Mixing. Photos Top cast Edit. Emily Mortimer Lisette as Lisette. Kevin Eldon Policeman as Policeman. Animation can be construed as the miracle of bringing the inert and the dead, as well as the past, back to life. Thus, narrated from beyond the grave, Sunset Boulevard evoked cinema's conjuring trick even as it pondered the medium's obsolescence. Never mentioning the spectre of television, the movie displaced Hollywood's impending crisis back to the technological upheaval of 20 years earlier — the coming of sound.

Many film-makers, including Orson Welles and the avant-gardists Maya Deren, Harry Smith, Stan Brakhage, and Kenneth Anger , identified their practice with magic — albeit in varying ways. Welles had extensive experience as a stage magician and made his last feature, the faux documentary F is For Fake precisely about cinematic sleight of hand; Deren was a serious student of Haitian vodoo; Smith considered his cut and paste animations a form of alchemy; Brakhage referred to "trick" as the medium's fundamental rule; and Anger was a disciple of Aleister Crowley , who considered making a film akin to casting a spell.

Walt Disney would have agreed. Others were more pragmatic. Film scholar Rachel O Moore opens Savage Theory , her study of cinema as "modern magic" with a scene from the MGM comedy Too Hot to Handle : a swashbuckling newsreel photographer played by Clark Gable uses "white" magic to confound the hostile savages of the Amazon rainforest, rigging a projector to show a crazy montage not unlike Bruce Conner's A Movie on the trees.

The natives are beset by images of incoming trains, stampeding rodeo riders, explosions and, most effectively, a forest fire. Gable instructs his translator to "tell them that if they behave themselves, I'll bring the great water and put the fire out" — which he does with a dissolve to Niagara Falls. Everything in his movies is potentially animate; all objects and landscapes are in a state of flux. We follow his Dickensian adventures as he stays one step ahead of the choleric Station Inspector Sacha Baron Cohen , in chase sequences through crowds of travelers.

Hugo always manages to escape back to his refuge behind the walls and above the ceiling of the station. His father Jude Law , seen in flashbacks, has left behind notebooks, including his plans to finish the automaton. Hugo seems somewhat a genius with gears, screws, springs and levers, and the mechanical man is himself a steampunk masterwork of shining steel and brass.

One day Hugo is able to share his secret with a girl named Isabelle Chloe Grace Moretz , who also lives in the station, and was raised by old Melies and his wife. She is introduced to Hugo's secret world, and he to hers — the books in the cavernous libraries she explores. These two bright kids are miles apart from the cute little pint-sized goofballs in most family pictures.

For a lover of cinema, the best scenes will come in the second half, as flashbacks trace the history and career of Georges Melies.

Scorsese has made documentaries about great films and directors, and here he brings those skills to storytelling. And as the plot makes unlikely connections, the old man is able to discover that he is not forgotten, but indeed is honored as worthy of the Pantheon. Not long ago, I saw a 3-D children's film about penguins. I thought it was a simpleminded use of the medium. Scorsese uses 3-D here as it should be used, not as a gimmick but as an enhancement of the total effect.

Notice in particular his re-creation of the famous little film "Arrival of a Train at La Ciotat" , by the Lumiere brothers.